| Liza Marklund | |
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Liza Marklund, November 2008 |
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| Born | Eva Elizabeth Marklund September 9, 1962 Pålmark, Sweden |
| Occupation | Crime Novelist |
| Nationality | Swedish |
| Genres | Crime fiction, mystery fiction, detective fiction |
| Subjects | Crime, thriller, mystery, detective |
| Notable work(s) | The Bomber, Studio 69, Paradise |
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www.lizamarklund.se |
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Eva Elisabeth "Liza" Marklund (born 9 September 1962) is a Swedish journalist and crime writer. She was born in Pålmark near Piteå, Norrbotten. Her novels, most of which feature the fictional character Annika Bengtzon, a newspaper journalist, have been published in thirty languages. Marklund is the co-owner of Sweden's third largest publishing house, Piratförlaget and a columnist in the Swedish tabloid Expressen. She is also a Unicef ambassador. The Postcard Killers, a crime thriller written in collaboration with American bestselling author James Patterson, is Marklund's twelfth book.[1] It was published on January 27, 2010, in Sweden, and became number one on the Swedish bestseller list in February 2010.[2] It was published on 16 August 2010 in the United States.[3][4] At the end of August, it reached number one in the New York Times best-seller list, making Liza Marklund the second Swedish author (the first one being Stieg Larsson with the Millennium Trilogy) ever to reach the number one spot.[5] Marklund lives in Spain with her husband Mikael.
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Since her debut in 1995, Liza Marklund has written eight crime novels and co-authored two documentary novels with Maria Eriksson and one non-fiction book about female leadership with Lotta Snickare. Marklund's crime novels featuring crime reporter Annika Bengtzon have become international bestsellers. She won the "Poloni Prize" (Polonipriset) 1998 for "Best Swedish Crime Novel by a Female Writer" and "The Debutant Prize", (Debutantpriset) 1998 for "Best First Novel of the Year" with the crime novel Sprängaren (The Bomber), published in 1998.[6][7] Marklund was named Author of the Year in Sweden 1999 by the Swedish trade union SKTF, won the radio network RixFM's Swedish Literary Prize in 2007, and was selected the fifteenth most popular woman in Sweden of 2003 and the fourth most popular woman in Sweden of 2004 in a yearly survey with 1,000 participants, conducted by ICA-kuriren, a publication published by a Swedish supermarket chain.[8]
Her books have been number one bestsellers in all five Nordic countries.[9] In 2002 and 2003, two of Liza Marklund's crime novels were listed on the international bestseller lists by the online magazine Publishing Trends, Prime Time ranking #13 and The Red Wolf ranking #12.[10] In Scandinavia and Germany, her non-fiction novels have become the center of a heated controversy.[11][12]
The Annika Bengtzon series at present consists of eight books. The framework of the Annika Bengtzon series is crime reporter Annika's hectic life, at a bustling tabloid called Kvällspressen in Stockholm, Sweden. Her conflict lies in combining motherhood with her career ambitions.
Starting with The Bomber, in which Annika is already a deft professional, the story then moves back in time several years, to the start of her career and the meeting with her future husband Thomas. By the fifth installment The Red Wolf, the reader is back in the present. Books 6, 7 and 8: Nobels's Last Will, Lifetime and A Place in the Sun, together make up a trilogy, with recurring characters and themes and plots linked to each other.
With The Annika Bengtzon series, Liza Marklund introduced a female main character, the tabloid journalist Annika Bengtzon, in a genre where the main characters had often been men. Current events, like political scandals or women's issues, are often intertwined with the plot, or introduced in subplots.[13] Marklund placed 22nd on the list of the most influential media personality of 2008 in Sweden, a list established yearly by the trade magazine for the advertising industry, Resumé.[14] Prior to The Bomber, there were very few female commercially successful crime writers in Sweden. Marklund was one of the first highly successful Swedish female crime writers.
Two novels about Annika Bengtzon, The Bomber and Paradise, have been filmed in Swedish by the English director Colin Nutley. The actress Helena Bergström starred in the role as Annika Bengtzon in both movies. They premiered in 2001 and 2002.
In 2009, the film and TV production company Yellow Bird bought the rights to adapt an additional six Annika Bengtzon novels for the screen: Studio 69, Prime Time, The Red Wolf, Nobel's Last Will, Lifetime, and A place in the sun. Yellow Bird, which is part of the trans-European production and distribution group Zodiak Ent, produced the films based on Stieg Larsson’s the Millennium trilogy, and the award-winning English-language "Wallander" TV movies, starring Kenneth Branagh. Like the Millennium trilogy, the total production budget for the series will be around SEK 100m (just under €10m). The names for the main cast, writer and director of the series have not been revealed yet, but filming is expected to start in late 2010.[15][16]
The Annika Bengtzon series has not been written in the order in which the events in the novels take place. The chronological order is as follows:
The last three novels can be considered as a trilogy, within the series.
Marklund's literary debut came in 1995 with Gömda (Buried Alive). Based on a true story, the book is about a woman who is abused by her boyfriend and forced into hiding. It was re-worked and re-released in 2000, and the new edition became one of the best selling books of all times in Sweden.[17][18][19] A second book in the Maria Eriksson series, Asylum Granted, was published in 2004. It describes how the woman is forced to flee abroad with her family. Finally, on February 2003, she is granted asylum in the United States, on grounds of domestic violence. The story received a lot of attention in Sweden, and was even discussed in the Swedish Parliament.[20]
The pseudonym used for the main character in the series is "Maria (or Mia) Eriksson", who is also listed as a co-author of the first editions of the two books in the series. After a controversy regarding the truthfulness of the books, "Mia" revealed her identity in 2009 in order to confirm her story.[21] Today she lives with a new husband in Arizona. Since 2006 she has written three additional books about her life and about domestic violence, but without Liza Marklund being involved.[22]
Buried Alive tells the story of "Mia" and "The man with the black eyes", an immigrant from Lebanon, that soon turns into an abusive relationship. They have a child together and they break up, but the abuse continues and is intensified when "Mia" remarries. The welfare state is not able to protect the family, and they are forced into hiding.[23]
"The man with the black eyes" is the antagonist also in Asyl Den Sanna Fortsättningen på Gömda (Asylum Granted - A True Story), the second book in the series, published 9 years later. The book tells the story of how the abuser forced the woman and her new family to flee abroad. They left Sweden for South America and then spent five years in the United States, attempting to establish asylum. "Maria Eriksson" submitted her application as a victim of domestic violence and gender-based abuse. "Maria Eriksson" was granted asylum on February 25, 2003.[24]
Swedish journalist Monica Antonsson released a book in 2008 criticising the factual background of Buried Alive.[25][26] Liza Marklund and her publisher argued that although some changes were made to make identification more difficult, the bulk of the story was factually correct.[27] They conceded, though, that the novel should have been labeled as "based on a true story", rather than as "a true story".[28][29][30]
Antonsson criticised that Maria Eriksson's grades and jobs were not factually correct, and that the ethnicity of a boyfriend and his criminal record was not reflected in the books. For example, the hospitalization of "The man with the black eyes" after aggravated assault by "Maria Eriksson's" Chilean husband, who was convicted and imprisoned for one year due to the assault, was not mentioned in the book.
In response to the criticism, Marklund has stated that she considers the bulk of the story to be factually correct and neither exaggerated nor deceptive.[28] She has noted that the story is supported by hundreds of official documents from the courts and the social services. She has also written that she did not know of the aggravated assault committed by "Mia Eriksson's" Chilean husband, and that she read about for it the first time in Monica Antonsson's book. However, she noted that if Antonsson's information about the records is correct, then the court's decision confirms that the family was being harassed by "Maria Eriksson's" ex-boyfriend.[31][32]
The controversy has been compared to the controversy surrounding Per Olov Enquist's Legionärerna and led to academic work studying the audience's relation to documentary novels. The genre is based on a mix of fact and fiction, where the author's own interpretation is part of the genre's conventions. The documentary novel often has a political objective, which in Buried Alive was to bring to the fore an abused woman's exposed situation.[33] The genre also, like many Hollywood movies, uses popular clichés to appeal to a broader audience.[34]
Gömda (Buried Alive) was initially released by Bonniers in 1995 and marketed under the category "autobiography/biography" in the publishing industry's catalogue.[35] It was re-worked and re-released by Piratförlaget in 2000 as Buried Alive - A True Story and marketed as a "documentary novel", a term used by Piratförlaget also for the edition published by Bonniers.[35]
In January 2009, the Swedish National Bibliography and the public libraries of Sweden reclassified all editions as fiction due to questions raised about the factual nature of the book.[36][37] The classification of Asylum - the True Continuation of Buried Alive was not altered as it had been classified as fiction from the very beginning.
A spokesperson and part-owner of the Piratförlaget, Jan Guillou, has told the press that the company regrets that the book was marketed as "a true story" and that "based on a true story" would have been better.[38][39] In Expressen, the evening tabloid where Marklund works, another part-owner of the publishing company, Ann-Marie Skarp, has stated that readers could not have been fooled by the label "true story" because, she argued, intelligent readers understand that the book is a novel based on reality and that it is not meant to be a biography.[40]
Kerstin Angelin at the initial publisher, Bonnier Alba, has also commented in the press on the controversy by saying: "The storyline, the bulk of the story, must be correct for it to be called a true story. However, for various reasons one may not want to expose individuals with name and professions, out of concern for them. It is perfectly reasonable that not every detail is true."[41]
In 2004 Liza Markund was appointed ambassador for the United Nations Children's Fund, UNICEF. The reason was her long interest in issues related to human rights. She travels regularly on behalf of the UNICEF and has, among other things, especially covered questions related to child slavery and children with HIV and Aids in the third world.[42][43][44]